“Seth material” search engine (Jane Roberts)

(See pages 152 and 153. Election Day sales are mentioned specifically in the headings for the sales described on both pages 11 and 12, from which the object was torn. Gubernatorial is a word in the vernacular. Blue is referred to both on the object itself on the page 11 side in the line: Norwegian natural blue fox… etc.; and is torn through on the page 12 side in the line referring to a sale of thermal blankets: White, green, pink, blue, gold. Blue also appears on page 12 of the full sheet, in a list of colors for imperfect sheets on sale, and in other places on page 11/12.

(“A seven times six, or 42.” There are many numbers on both sides of the object and its parent page, 11 and 12, since the page features sales of bedding, blankets, sheets, cases, etc., all by size and color and dimension. There is a 42 on page 12 of the newspaper page from which the object is taken. See page 153. In the upper right area of an ad, pillowcases are quoted: 42 x 36 inch, etc.

(See the article indicated to the upper left on page 12 of the full sheet, page 153. The article concerns the efforts of a priest to build a seminary in Portugal. The priest’s order, the Dominicans, had been expelled from Portugal in 1834, and was readmitted in 1940.

[...] The envelope object was made on a sheet of Jane’s yellow typing paper—the kind called second sheets.

[...] The object was a sheet of yellow paper upon which our young friend Don Wilbur doodled various numbers and words on the evening of Friday, April 15. [...]

[...] The whole sheet was used and was folded in quarters.

[...] It was written with a dark pen on a sheet of yellow paper, not punched, and the size of this page. The sheet was folded as indicated above, then enclosed between the usual two pieces of Bristol and inserted into the usual double envelopes. The back side of the sheet was blank. [...]

[...] Later note by Rob: Including sheets. Sheets and half dressed are mentioned in poem.

(The object is a poem written to me by Jane on a sheet of yellow paper, in a dark pen, and dated July 3,1966. [...]

(Last night, April 10, 1964, just before I fell asleep, I had the following experience: My eyes were closed but I saw a sheet of paper filled with script that I recognized to be the handwriting of Dee Masters, my supervisor at the Arnot Art Gallery where I work in the afternoons.

[...] I bought two sheets, 4 x 8 feet, at the lumberyard in Wellsburg on July 15. Since this particular kind of Masonite is hard to find and the Schuyler lumberyard had a good supply, I decided to return to Wellsburg on Saturday, July 23, to buy two more full sheets. [...]

(The object shows I bought two full sheets of Masonite, each one 4 x 8 feet in dimension. The worker previously mentioned at the lumberyard cut the sheets in half so that we could load them into the car. [...]

[...] Sheets of rain raced before it. [...]

[...] The object is trimmed from the linen canvas I bought at the Art Shop, and this piece of canvas was glued on to large sheets of Masonite so as to have a firm support—the experiment I had in mind which was referred to later.

(The tack holes running along one edge of the object resulted from the canvas first being tacked to a sheet of board, then wet so that pre-shrinking would take place before the gluing process.

[...] I saw the figure on a sheet of bluish paper that unfolded like a letter. [...]

[...] On a sheet of white paper torn from a pad, same color ink as the tracing on page 189, folded as indicated, placed between two pieces of Bristol and then sealed in double envelopes. [...]

[...] The object was of course the top sheet on the pad, which I tore off after making out the list. [...]

[...] The object is dated August l, 1964—Caroline Keck’s mimeographed sheet is also dated 1964. [...]

[...] The book, the mimeographed sheet and the object itself may have been mailed to us in a small box, or a manila envelope, etc.

[...] Finally Floyd opened the damper a bit and lit a sheet of newspaper in the fireplace: The smoke immediately sent our very upset tenant scrambling up the chimney, across the roof and into the hemlock tree growing at one corner of the front porch. [...]

[...] With him he brought some rolls of copper sheeting for our table, and incense and a burner. [...]

(Reduced copy of the tracing of the sheet of yellow paper with numbers and words, used as the object in the 49th envelope experiment, in the 254th session for April 27,1966.)

[...] And each day simply to imagine he puts into it a sheet of paper that says “Of course I walk normally.” [...]

“A terrific little dream that beautifully states its message: Mary’s ideas of romance and making love (represented by modern-day flowered sheets) are being transposed from the bedroom into the area of her art, and in a way that mars the art itself. The transposition of the flowered designs of bedsheets to sheets of paper is great; Rob chose a sketch pad rather than, say, typing paper, I think, because painting is his art while Mary’s is writing. [...]

[...] The envelope front was folded once and placed between two sheets of Bristol, then sealed in the usual double envelopes.

[...] I made a brief note about the three words on a sheet of our pendulum questions.

[...] She asked a friend of JP’s to have him send her tear sheets of his last two articles, which I thought an excellent idea. [...]

This may be the sheet of paper to which I referred. [...]

[...] The colors mentioned by Seth are listed in the sheet advertisement. [...]

[...] It contained a patient’s record sheet, a page from a pad that Nora had picked out of a wastebasket in another office. [...]