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NoME Part Two: Chapter 4: Session 824, March 1, 1978 6/36 (17%) Cinderella fairy tale godmother adult
– The Individual and the Nature of Mass Events
– © 2012 Laurel Davies-Butts
– Part Two: Framework 1 and Framework 2
– Chapter 4: The Characteristics of Framework 2. A Creative Analysis of the Medium in Which Physically-Oriented Consciousness Resides, and the Source of Events
– Session 824, March 1, 1978 9:40 P.M. Wednesday

[... 4 paragraphs ...]

Tonight, during a pleasant supper time, our friends Ruburt and Joseph watched a television production based upon the Cinderella fairy tale. According to the definition I gave earlier, this fairy tale is a myth. Surely it may seem that such a children’s tale has little to do with any serious adult discussion concerning anything so profound as the creation of the known world. And most certainly, it may appear, no scientifically pertinent data about the nature of events can possibly be uncovered from such a source.

For one thing, [the] Cinderella [tale] has a happy ending, of course, and is therefore highly unrealistic (with irony), according to many educators, since it does not properly prepare children for life’s necessary disappointments. Fairy godmothers are definitely a thing of the storyteller’s imagination, and many serious, earnest adults will tell you that daydreaming or wishing will get you nowhere.

[... 1 paragraph ...]

The tale has always appealed to children because they recognize the validity behind it.2 The fairy godmother is a creative personification of the personalized elements in Framework 2 — a personification therefore of the inner ego, that rises to the aid of the mortal self to grant its desires, even when the intents of the mortal self may not seem to fit into the practical framework of normal life. When the inner ego responds in such a fashion, even the commonplace, ordinary, seemingly innocuous circumstances suddenly become charged with a new vitality, and appear to “work for” the individual involved. If you are reading this book you are already too old to clearly remember the constant fantasies of your early childhood. Children however know quite well, automatically, that they have a strong hand in the creation of the events that then seem to happen to them.

[... 2 paragraphs ...]

(10:02.) The tale of Cinderella becomes a fantasy, a delusion, or even a story about sexual awakening, in Freudian terms. The disappointments you have faced indeed make such a tale seem to be a direct contradiction to life’s realities. To some extent or another, however, the child in you remembers a certain sense of mastery only half realized, of power nearly grasped, then seemingly lost forever — and a dimension of existence in which dreams quite literally came true. The child in you sensed more, of course: It sensed its own greater reality in another framework entirely, from which it had only lately emerged — yet with which it was intimately connected. It felt itself surrounded, then, by the greater realities of Framework 2.

[... 18 paragraphs ...]

(11:26. Still in trance, Jane now came through with a few paragraphs of material for us. Among them was this insight, which Seth related to his discussion of the Cinderella fairy tale:)

[... 3 paragraphs ...]

2. Jane and I watched an adaptation of the Westernized Cinderella fairy tale, of course. I almost didn’t bother looking it up, but I’m glad I did, for we learned that the power of Cinderella has been much longer-lasting and more pervasive than we’d realized: The Cinderella tale reaches back to China in the 9th century, and exists in hundreds of versions around the world.

[... 1 paragraph ...]

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