“Seth material” search engine (Jane Roberts)

One person may desire fame, and even possess certain abilities that he or she wants to use, and that will indeed lead to that claim. Such a person may also believe that fortune or fame leads to unhappiness, licentiousness, or in some other way brings about disastrous conditions. Here we have a clear purpose to use abilities and receive acclaim. We also have another quite opposing clear purpose: to avoid fame.

[...] The changes within a 3-year period will be drastic in terms of abundance, and fame.

(Re the sentence by Seth about a book for Macmillan Co.: Richard Bach, of Seagull fame, and his editor from Macmillan, Eleanor Friede, are to visit us on Tuesday, September 19, according to a note Jane has received from him.)

You yourself were also not willing to face consciously certain possible consequences directly, for example—of television appearances; possibilities of fame, etc., and you were ambiguous in that regard. [...]

[...] That part of us exists apart from our concerns about careers or business, money, fame, the opinion of family, friends, or the world. [...]

Those who struggled and did not achieve fame for example, will sometimes recreate their past, manipulate hallucinatory relationships and events and achieve it within that counterfeit environment. [...]

[...] Perhaps, Jane had wanted more physical and psychic activity all along, I thought—more tours, TV, publicity, fame, money, whatever—but all those things she held back on because of my own negative attitudes. [...]

Forget the idea of man’s work and what your paintings should (underlined) provide, and the idea of fame or success. [...]

[...] It may have been triggered by envy of another person, or for the sake of fame, but it does not fit her abilities. [...]

[...] This follows regardless of the desired end, be it wealth, fame, or so forth. [...]

Now, what would that extreme behavior consist of “at its worst?” He felt that if he were a person given to extremes, then to use his abilities he must apply due discipline so that his head was not turned, so that he did not become a victim of fame, as many other writers and artists did—or so it seemed. [...]

The writer is put up with if books result in either fame or fortune. [...]

I am not speaking of greatness in terms of fame, or in terms of usually understood artistic or intellectual abilities alone, but also of people whose lives have the capacity for great emotional content. [...]

[...] Ruburt’s relative fame almost upset the applecart, so further measures were taken by both of you. [...]

[...] He was not particularly thinking of any great fame to begin with, but the just-enough recognition—