“Seth material” search engine (Jane Roberts)

(9:40.) When you simply want to reach a destination in space, there are maps to explain the nature of the land and waterways. When we are speaking of the psychological role of destinations, however, there is more to consider.

When you want to go downtown, you know that destination exists, though you may be miles away from it. When you want to find a mate you take it for granted that a potential mate exists, though where in space and time you do not know. Your intent to find a mate sends out “strands of consciousness,” however, composed of desire and intent. Like detectives, these search the world, looking in a completely different way than a physical sleuth. The world is probed with your characteristics in mind, seeking for someone else with characteristics that will best suit your own. And whatever your purpose is, the same procedure on a psychic level is involved.

When I come here to speak I focus my energy, but not toward this room as a destination, for in your terms this room does not exist to me. [...]

(Bernice M.: “Regardless of who chose, it was destined that he die.”)

[...] Because a tree branch falls, this does not mean that it was destined to fall in either the particular manner of its fall nor in the timing of the fall. [...]

[...] And there are journeys that each of you embark upon, and you do not know in words the nature of the destination, and you do not know when you arrive at this destination, and you do not know when the destination is no longer a destination but a way. [...]

[...] They simply fly toward their destination. [...]

Monarch butterflies, in their remarkable migrations, often fly toward land that they have never seen themselves — and yet they reach their destination.

[...] The methods, the ways, the beliefs, the modes of travel to a destination create the destination itself. [...]

[...] (Brief pause.) These are impressions, Joseph… There seems to be a trip with a stopover, a place stopped at for a short time before another destination is reached. [...] In any case before the final destination there is another place that will be visited.

Now, when I come here to speak I focus my energy, not toward this room as a destination, for this room, in your terms, does not exist to me but in these terms, this room does not exist to you. [...]

([Florence:] “Regardless of who chose, it was destined that he die.”)

[...] Because a tree branch falls this does not mean that it was destined to fall in either the particular manner of its fall nor in the timing of the fall. [...]

[...] You want to get to your destination too quickly. The destination is within you. You do not have to go any place to get that destination; and it is only when you think that that destination lies elsewhere that you allow yourself to go astray. [...]

[...] You want your destination now and you want to get to that destination as quickly as possible, 85-95 miles a minute, you see. [...]

[...] The physical lapse that occurs between an incoming message (pause, frowning), and its intended destination does not occur on these other levels. The “interior message” gets to its destination ahead of the physical one.

[...] You are used to projecting all destinations outside of yourself. [...] The idea of varied inward destinations, involving motion through time and space, therefore appears strange.

[...] The other might have no such knowledge, and say instead: “I take a plane at such-and-such a place, at such-and-such a time, giving New York City as my destination, and if I take the proper plane I always arrive there.”

[...] You should be diplomatic for this could occur three or four months after you arrive at your destination. [...]

[...] He did not have to walk straighter or faster—the getting there, or the destination, regardless of the method, was stressed.

[...] There were friends with us, and they offered us rides to our destination. [...]

[...] It is an adventure that is literally unending—and it must be one that has no clearly stated destination, in usual terms (intently). [...]

The true artist is involved with the inner workings of himself with the universe—a choice, I remind you, that he or she has made, and so often the artist does indeed forsake the recognized roads of recognition, and more, seeing that, he often does not know how to assess his own progress, since his journey has no recognizable creative destination. [...]

[...] A connection with a destination in the afternoon, and with three.

(“A connection with a destination in the afternoon, and with three.” [...]

[...] It must be one that has no clearly stated destination, in usual terms. [...]

[...] And more, seeing that, he often does not know how to assess his own progress, since his journey has no recognizable creative destination. [...]

Now in that infinite becoming, there are states that you would call perfected, but had creativity rested within them, all of experience would be destined to grind to a halt. [...]

[...] The drama itself is a psychological phenomenon in a way, for each physically oriented self feels thrust alone into a strange environment, without knowing its origins or destination or even the reason for its own existence.

[...] 62 days then to our destination. [...]

[...] Subjectively he felt that this beam of energy reached its destination. [...]

[...] Yet I find it most interesting to note that now some astrophysicists and mathematicians believe our universe may be destined to contract — indeed, to collapse in upon itself — after all. [...]

[...] She felt the transmission go out from her forehead in a straight line toward its destination. [...]