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TPS5 Session 858 (Deleted Portion) June 4, 1979 4/19 (21%) art scene dedication gallery vocational
– The Personal Sessions: Book 5 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Session 858 (Deleted Portion) June 4, 1979 9:01 PM Monday

[... 5 paragraphs ...]

Ruburt’s dreams will be part of this evening’s discussion, as they apply directly to him and as they represent the beautiful, even exquisite imagery of the dreaming self in general. The art dream (of June 3), as I call it, has its opening scene in an art gallery, which represents a conventionalized view of art. Ruburt used painting as an art in the dream rather than writing (pause), because it symbolized your joint ideas of art—to some extent, now—and allowed him to have you in his mind as he viewed the dream events.

In the first scene in the gallery he is explaining with some eloquence the mental and physical benefits of art, and its action as providing “a natural high.” The word “high” is important, for art, his art—writing, poetry—was his version of, say, the high mass of his childhood, where he and not the priest was in connection with the universe. By a kind of shorthand, the art gallery suggests the church, then, and his dedication to art, that is, to his art quickly replaced his dedication to the church. It became his vocation in quite religious terms.

[... 3 paragraphs ...]

Timewise and symbolically, the third scene brings us to the point where Ruburt is determined to defend his art, his dedication, to such an extent that he hides from the world, and symbolically crawls on his belly, all the while seeking to escape the dilemma by finding an open door, or by hiding from pursuers in the shadows. These efforts fail. One portion of himself is a character, male, with bound hands, and Ruburt must help this person over barriers, of course because his hands are tied symbolically behind his back.

One woman, another follower, for Ruburt is the leader of this group, pushes a landscape of yours across the floor ahead of her—preserving, you see, your art as well as Ruburt’s. Finally one of the women objects strenuously and decides to stand up and show herself. She is tired of crawling on her belly, for whatever reasons. That woman represents Ruburt’s decision to be done with the symptoms, to stand up, to walk.

[... 6 paragraphs ...]

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