“Seth material” search engine (Jane Roberts)

I suggest you read the session I gave concerning the importance of the person from which the artist or writer springs. I suggest also that Ruburt read it especially. All of the individual and joint inhibitions you have placed upon yourselves spring directly from those specialized versions of yourselves.

Now if you can understand that, and those reactions in the sexual area, then you can understand how Ruburt simply carried them further than you would; the same rationale applies. The artist and the writer are not dependent upon such inhibiting factors, but instead limited by them.

You each produced despite your individual and joint efforts to inhibit other areas of your life; to protect a limited, old idea of what an artist and a writer are. You may take your break.

You withdraw your support at that point, you find all kinds of reasons, rationalizations, and you withdraw all enthusiasm, so that you effectively inhibit his enthusiasm, so hard won. Then you say “It is no fun to go out,” and it does indeed become too hard for him if you are not going to enjoy it. (Forcefully.)