1 result for (book:notp AND session:799 AND stemmed:condemn)

NotP Chapter 11: Session 799, March 28, 1977 4/62 (6%) condemn secondary man primary destructive
– The Nature of the Psyche: Its Human Expression
– © 2011 Laurel Davies-Butts
– Chapter 11: The Universe and the Psyche
– Session 799, March 28, 1977 9:42 P.M. Monday

[... 5 paragraphs ...]

You realize that a tiger, following its nature, is not evil. Looking at your own species you are often less kindly, less compassionate, less understanding. It is easy to condemn your own kind.

[... 16 paragraphs ...]

To identify man with his poorest works is to purposefully seek out the mars, the mistakes, of a fine artist, and then to condemn him. To do this is to condemn yourselves personally. If a scientist says consciousness is the result of chance, or Darwin’s theories say that basically man is a triumphant son of murderers, many people object. If you say, however, that men are idiots, or that they are not worth the ground they walk upon, you are saying the same thing. For you must be concerned with this reality as you know it; in those terms, to condemn man is to condemn the species as you know it, and the practical terms of your world.

[... 12 paragraphs ...]

The body cannot act tomorrow, today. Its sense data must be clear. This resulting feeling of powerlessness to act leads to a state of hopelessness of varying degrees — and that mood does not tie itself to specific details, but pervades emotional life if it is allowed to. To whatever degree, the condemning, critical material too often becomes self-prophesying — for those who put merit on it (loudly) allow it to cloud their reactions.

[... 2 paragraphs ...]

(Loudly:) There are those who make careers of condemning the faults and failings of others, or of the species itself, and because of that attitude man’s great energy and good intent remain invisible. Man is in the process of becoming. His works are flawed — but they are the flawed apprentice works of a genius artist in the making, whose failures are indeed momentous and grotesque only in the light of his sensed genius, which ever leads him and directs him onward.

[... 22 paragraphs ...]

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