1 result for (book:nopr AND session:668 AND stemmed:dimension)

NoPR Part Two: Chapter 19: Session 668, June 6, 1973 6/40 (15%) impinges continuum ferment dimensional seventeenth
– The Nature of Personal Reality
– © 2011 Laurel Davies-Butts
– Part Two: Your Body as Your Own Unique Living Sculpture. Your Life as Your Most Intimate Work of Art, and the Nature of Creativity as It Applies to Your Personal Experience
– Chapter 19: The Concentration of Energy, Beliefs, and the Present Point of Power
– Session 668, June 6, 1973 9:12 P.M. Wednesday

[... 3 paragraphs ...]

Dictation. (Slowly:) You must remember that beginnings and endings are realities only within your own system of three-dimensional life.

[... 1 paragraph ...]

(Long pause.) Since these offshoots or life-tracings each come from your entity, they are connected psychologically and in terms of electromagnetic energy patterns. Consider this analogy: Taking it for granted that you are indeed multidimensional, you can perceive only so much of your own experience at a time because of the characteristics of physical creaturehood; the three-dimensional system automatically specializes in before-and-after effects.

[... 1 paragraph ...]

(9:26.) Again, what actually happens is that the energy of your being impinges, say, at seven [moment] points2 into the three-dimensional system. At each of these points, what seems to be an isolated life is experienced. Just beyond those intersections, however, there is a more or less unitary and overall recognition of wholeness that “rides” above them. This represents the multidimensional entity that is both apart from and yet part of the separate life-traces. You may have an existence in the seventeenth century, for example. To you it would appear that the life was a past one, finished. You may believe that your current existence, with all of its abilities and challenges, is the result of that past life, yet both exist at once. The seventeenth century is not dead. You follow a one-line pattern of history, pursuing certain actions as reality and identifying with these so completely that they are all you perceive. Other probable actions are always occurring, however, and are quite as valid as the ones which you happen to choose and thus experience.

[... 7 paragraphs ...]

In many instances you travel outside of three-dimensional reality while dreaming, but your experiences must then be recalled in physical terms or you would have no memory of them. Even your dreams, you see, must come through that point in the present — of spirit’s intersection with flesh. Dreaming does represent an open channel through which the material environment is transcended. There are as yet undiscovered, bizarre changes in the brain during certain dream states, an acceleration that quite literally propels the consciousness out of its usual space-time continuum into those other realities from which it comes.

[... 6 paragraphs ...]

These interchanges represent periods in which the soul and flesh meet under the most optimum conditions. There are individual variations and yet mass patterns. The energy of the personal self constantly comes from the entity. There is not just one intersection of soul with the flesh, therefore, but at the least a constant series as you would think of it. Because of the characteristics of energy as it impinges upon the three-dimensional system, there are fluctuations — always involving your present.

[... 10 paragraphs ...]

All of this happens through the window of your present. In terms of energy, again, the vitality of your entity impinging into three-dimensional reality forms a particle that is your present being. But this particle is also deflected away from the earth in a rhythmic pattern. The same happens to other portions of your self at other points in the space-time continuum, but at certain intervals you meet, so to speak. Each of your “presents” becomes charged, filled with potentiality; and your entity, itself conscious energy, is also enriched by your various experiences, by the combined and magnified power of its own “past.”

[... 5 paragraphs ...]

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