(Jane and I sat for the session at about 9:15. At 9:25 she abruptly told me that she’d just “received” the title of a book I am to write: Through My Eyes. She was very surprised — and so was I. At first, Jane said, she interpreted her information [from Seth?] to mean that I would be writing a chapter with that title for one of her own books. But then she quickly realized that this is to be a work of my own.

I am indeed. For this will short-circuit some of your hang-ups as far as painting is concerned and will lead to new spontaneous painting power (humorously). You will also consider it a work of merit, and you will be doing your own thing with your experience. I know that the impetus alone will quite slyly and automatically produce some excellent paintings. You will want to use them. I will not tell you in what particular way this sneaks by some of your problems now, or which ones are involved. I suggest that you do up a prospectus, an outline, and some few beginning pages — say a chapter or so.

I had several things in mind this evening. Some of Ruburt’s questions will be answered in our next chapter, which we will begin. Then I will have some other personal comment.

1. For more extensive material on Seth Two, see Chapter Seventeen of The Seth Material, and Chapter Twenty-two of Seth Speaks. In the latter Seth tells us: “Seth Two stands relatively in the same position to me as I stand to the woman [Jane] through whom I am now speaking.”

2. Jane referred here to the deleted part of tonight’s session, and Seth’s discussion therein of the work we are to do in translating early Speaker material: “The Speaker manuscripts are in your future, and will involve as I told you considerable work — a labor of love.” See the notes following the 623rd session in Chapter Five. Also consult Chapter Seventeen in Seth Speaks.

CHAPTER 7

Dictation: Chapter Seven: “The Living Flesh.”