1 result for (book:nome AND session:815 AND stemmed:framework)

NoME Part One: Chapter 2: Session 815, December 17, 1977 15/40 (38%) television actors programs Framework screen
– The Individual and the Nature of Mass Events
– © 2012 Laurel Davies-Butts
– Part One: The Events of “Nature.” Epidemics and Natural Disasters
– Chapter 2: “Mass Meditations.” “Health” Plans for Disease. Epidemics of Beliefs, and Effective Mental “Inoculations” Against Despair
– Session 815, December 17, 1977 9:22 P.M. Saturday

[... 2 paragraphs ...]

(So we’ve decided to simply go along with however Mass Events works out in terms of length, whether that length involves time or the number of sessions. We do not plan to ask Seth when the book will be done. We have asked him to discuss his Framework 1 and 2 concepts for it, though, and he’s promised to do so; he’s had a good deal to say about those structures in the nonbook material Jane has delivered since the 814th session was held.

[... 7 paragraphs ...]

Not only does television actually serve as a mass means of communal meditation, but it also presents you with highly detailed, manufactured dreams, in which each viewer shares to some extent. We will use some distinctions here, and so I am going to introduce the terms “Framework 1” and “Framework 2,” to make my discussion clear.

We will call the world as you physically experience it, Framework 1. In Framework 1, you watch television programs, for example. You have your choice of many channels. You have favorite programs. You follow certain scenes or actors. You watch all of these dramas, hardly understanding how it is that they appear on your screen to begin with. You are certain, however, that if you do buy a television set it will perform in an adequate fashion, whether or not you are familiar with electronics. Period.

[... 3 paragraphs ...]

(9:40.) Now for a moment let us imagine that physical events occur in the same fashion — that you choose those which flash upon the screen of your experience. You are quite familiar with the events of your own life, for you are of course your own main hero or heroine, villain or victim, or whatever. As you do not know what happens in the television studio before you observe a program, however, so you do not know what happens in the creative framework of reality before you experience physical events. We will call that vast “unconscious” mental and universal studio Framework 2.

[... 3 paragraphs ...]

You are aware through your newspapers and magazines of the dramas, news broadcasts, or other programs that are presently being offered. In the same way you are aware, generally speaking, of the “programs” being physically presented in your own nation and throughout the world. You decide which of these adventures you want to take part in — and those you will experience in normal life, or in Framework 1.

The inner mechanisms that happen prior to your experience will take place in the vast mental studio of Framework 2. There, all the details will be arranged, the seemingly chance encounters, for example, the unexplained coincidences that might have to occur before a given physical event takes place.

[... 2 paragraphs ...]

On a conscious level, and with your conscious reserves alone, you could not keep your body alive an hour. You would not know how to do it, for your life flows through you automatically and spontaneously. You take the details for granted — the breathing, the inner mechanisms of nourishment and elimination, the circulation, and the maintenance of your psychological continuity. All of that is taken care of for you in what I have termed as Framework 2.

[... 2 paragraphs ...]

Such events occur as a result of individual beliefs, desires, and intents. There is no such thing as a chance encounter. No death occurs by chance, nor any birth. In the creative atmosphere of Framework 2, intents are known. In a manner of speaking, no act is private. Your communication systems bring to your living room notices of events that occur throughout the world. Yet that larger inner system of communications is far more powerful in scope, and each mental act is imprinted in the multidimensional screen of Framework 2. That screen is available to all, and in other levels of consciousness, particularly in the sleep and dreaming stages, the events of that inner reality are as ever-present and easily accessible as physical events are when you are awake.

(10:40.) It is as if Framework 2 contains an infinite information service, that instantly puts you in contact with whatever knowledge you require, that sets up circuits between you and others, that computes probabilities with blinding speed. Not with the impersonality of a computer, however, but with a loving intent that has your best purposes in mind — yours and also those of each other individual.

You cannot gain what you want at someone else’s detriment, then. You cannot use Framework 2 to force an event upon another person. Certain prerequisites must be met, you see, before a desired end can become physically experienced.

[... 1 paragraph ...]

I will try to begin work on our book in a more predictable fashion, while still maintaining our own discussions, and answering any questions you may have. I do want to use our Framework 2 material, however, in a more general fashion for the book.3 You may use any of our [other] material you want, but the book itself will not rely upon that information.

[... 4 paragraphs ...]

3. Although this is the first session for Mass Events in which Seth had discussed Framework 1 and Framework 2, at the moment Jane and I are a good deal more familiar with his ideas concerning those fields of action than the reader is; see the opening notes for the last (814th) session. Since introducing them in the deleted, or nonbook session for September 17, Seth has at least mentioned the two frameworks in 17 of the 23 deleted sessions he’s given us since then.

He’d dealt with Frameworks 1 and 2 in only seven sessions, however, when I wrote a paragraph of suggestions about them on October 26. This spontaneous creation not only summarized what I’d learned from his new material so far, but gave me something I could read daily. I’ve pinned copies to walls in both my painting and writing rooms.

My piece is naturally tailored to my own beliefs and needs, of course, and some of its implications may become clearer to readers as Seth continues with his framework material in Mass Events. But I’m presenting my effort as close as possible to its time of conception so that each interested person can keep it in mind, and eventually write his or her own version of it for personal use. Jane has done this; we find that a daily casual reading of our respective “credos” concerning Frameworks 1 and 2 is valuable indeed. I wrote on October 26:

“I have the simple, profound faith that anything I desire in this life can come to me from Framework 2. There are no impediments in Framework 2. Framework 2 can creatively produce everything I desire to have in Framework 1 — my excellent health, painting, and writing, my excellent relationship with Jane, Jane’s own spontaneous and glowing physical health and creativity, the greater and greater sales of all her books. I know that all of these positive goals are worked out in Framework 2, regardless of their seeming complexity, and that they can then show themselves in Framework 1. I have the simple, profound faith that everything I desire in life can come to me from the miraculous workings of Framework 2. I do not need to be concerned with details of any kind, knowing that Framework 2 possesses the infinite creative capacity to handle and produce everything I can possibly ask of it. My simple, profound faith in the creative goodness of Framework 2 is all that is necessary.”

Similar sessions

UR2 Section 4: Session 713 October 21, 1974 Perspective program screen jacket hat
UR2 Section 4: Session 711 October 9, 1974 station programs psyche grocer characters
NotP Chapter 2: Session 756, September 22, 1975 drama program Trek station waking
TPS4 Deleted Session November 19, 1977 hired coincidences clues Beloff detectives