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1 result for (session:656 AND stemmed:power AND stemmed:station)

NoPR Chapter 15: Session 656, April 16, 1973 10/44 (23%) convictions loneliness age present artist

[... 9 paragraphs ...]

In a manner of speaking, each belief can be seen as a powerful station, pulling to it from fields of probabilities only those signals to which it is attuned, and blocking out all others. When you set up a new station there may be some static or bleed-through from an old one for a while.

[... 4 paragraphs ...]

(Long pause.) The same sort of thing operates in the actualization of any event in which you are involved. You create your life, then. Inner images are of great importance to the artist. He tries to project them upon his canvas or board. Again, you are each your own artist, and your inner visualizations become models for other situations and events. The artist utilizes training and mixes his colors in order to give artistic flesh to his painting. The images in your mind draw to themselves all the proper emotional energy and power needed to fill them out as physical events.

[... 9 paragraphs ...]

Now: You must understand that your present is the point at which flesh and matter meet with the spirit. Therefore the present is your point of power in your current lifetime, as you think of it. If you assign greater force to the past, then you will feel ineffective and deny yourself your own energy.

For an exercise, sit with your eyes wide open, looking about you, and realize that this moment represents the point of your power, through which you can affect both past and future events.

The present seen before you, with its intimate physical experience, is the result of action in other such presents. Do not be intimidated therefore by the past or the future. There is no need at all for undesirable aspects of your contemporary reality to be projected into the future, unless you use the power of the present to do so.

If you learn to get hold of this feeling of power now, you can use it most effectively to alter your life situation in whatever way you choose — again, within those limitations set by your creaturehood. If you were born without a limb, for example, your power in the present cannot automatically regenerate it in this life, although in other systems of reality you do possess that limb. (See Seth’s Preface, as well as the 615th session in Chapter Two.)

[... 1 paragraph ...]

In each case, however, the point of power is the present, and from that moment you choose which you, and which world. The experience of a country is the cumulative result of the choice of each individual in it, so as you choose your own circumstances you affect each other person within your country and your world.

[... 1 paragraph ...]

To pretend to ignore your age, to act young because you fear your age, is no answer. (See the 644th session in Chapter Eleven.) In your terms your point of reality and power is, once more, in your current experience. A realization of this would allow you at any age to draw upon qualities and knowledge that “existed” in your past or “will exist” in your future. Your ages are probable [simultaneous].

[... 1 paragraph ...]

You do not understand the communications between your selves and pets, for example, where in their own way they interpret and react to your beliefs.* They mirror your ideas, then, and so become vulnerable as they would not be in their natural circumstances. In greater terms their relationship with you is natural, of course, but their innate realization that the creature’s point of power is in the present is to some degree undermined by their own receptivity and translation of your beliefs. A young kitten is treated differently than an older one. The cat responds to such conditioning. In the same way your own conclusions about age become fact in your experience. In line with them, if you could convince yourself that you were ten years younger, or ten years older, then it would be faithfully reflected in your personal environment.

[... 8 paragraphs ...]

(Jane was much taken with the phrase, “point of power.” She found it very evocative. After the session she remarked several times that she wished Seth had used it in the heading for this chapter. She even discussed adding it to the heading, without really intending to do so … )

[... 1 paragraph ...]

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