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TPS6 Deleted Session March 2. 1981 9/48 (19%) fiction writer novels public recognition
– The Personal Sessions: Book 6 of The Deleted Seth Material
– © 2017 Laurel Davies-Butts
– Deleted Session March 2. 1981 9:25 PM Monday

[... 3 paragraphs ...]

(Our talk lasted almost an hour in spite of myself, for I didn’t want her to get upset before a session. I felt that we couldn’t afford to miss sessions these days. Her reading the NY Times Book Review each week had reminded me recently that her intent perusal of that publication represented a striving toward something she was not about to achieve—conventional recognition in creative writing.

(She’d obviously, I thought, expected recognition by her peers in the writing field when she matured, with her obvious talents. Yet she’d found this deep yearning snatched away with the advent of her psychic abilities—goodbye to all of those accepted reviews, the critical success, even the money, that would go along with the conventional acceptable public image of the successful writer of good quality poetry and/or fiction. I said that most “successful?” poetry and fiction might not penetrate very deeply into the human condition, compared with the understanding her own psychic gifts offered, but it would have been safe and accepted by her peers. What more could anyone ask of life, I demanded ironically?

[... 2 paragraphs ...]

(No wonder, then, the retreat from the world, even the refusal to leave the house. Protection from the world must be had at all costs, even while she, with my help, persisted in using her abilities to some extent at least through the books. I wondered how much about all of this she’d never let Seth say. No wonder we sought privacy more and more: any public exposure came to be avoided automatically, as part of the protective coloration.

[... 6 paragraphs ...]

I have mentioned this on occasion—that he felt quite different from his contemporaries. Many gifted children do, and he used various kinds of protective coloring. No matter what he was taught in Catholic school or later in the public one, his intuitions, wedded to his creative capacities, led him to question established views.

[... 9 paragraphs ...]

(Pause at 9:44.) There was a necessary period of time in which Ruburt and yourself experimented in several areas of psychic exploration, quite rightly picking and choosing those areas that suited you best, and ignoring others that you found for whatever reasons unsuitable. Ruburt quickly discovered that the public image of a psychic was quite different than that given to a writer, and so was the social image. As our readership grew, as you heard from readers or from some members of the media or whatever, it seemed to Ruburt that what he did best—have sessions, write his books—was not enough, that he was expected to do far more.

[... 8 paragraphs ...]

(Long pause at 10:20.) The public image is bound to make him feel inferior if he takes it too seriously. That always stimulates his idea of responsibility. It is his public image as a psychic, of course, not as a writer, that here is the issue. In a fashion we are delivering source materials for each person to interpret and enjoy. It may serve as the source material for several different kinds of disciplines, or schools or whatever. (Pause.) It will serve to inspire others, but each person is responsible for his or her own life, and Ruburt does not have a private clientele, nor is he temperamentally suited to use his psychic abilities to track people down or to serve as a therapist. That narrows his abilities too specifically and holds him down from other kinds of explorations for which he is highly equipped and quite proficient.

[... 4 paragraphs ...]

(“How is he going to come to terms with the lack of public recognition that he wants so much as a writer?”)

[... 2 paragraphs ...]

—of work well done. That recognition in a fashion comes from several fronts—from people in all walks of life, from professors, members of different professions rather—than specifically from other writers (pause), and in time that situation itself will improve. It is the public image as he thinks he has as a psychic that bothers him, more than the one he feels is lacking as a writer.

The psychic public image (long pause) is a composite, of course, composed in your minds largely from your correspondence, and in that regard you both often exaggerate certain elements over others. Concentrate upon certain kinds of mail. That issue can be understood with some help from me, and your own common sense.

[... 4 paragraphs ...]

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