1 result for (heading:"delet session march 2 1981" AND stemmed:novel)

TPS6 Deleted Session March 2. 1981 4/48 (8%) fiction writer novels public recognition
– The Personal Sessions: Book 6 of The Deleted Seth Material
– © 2017 Laurel Davies-Butts
– Deleted Session March 2. 1981 9:25 PM Monday

[... 2 paragraphs ...]

(I had another of my “insights” while painting this morning, and talked it over with Jane after supper tonight. It was, simply, that we were wrong to blame imagined excesses of the spontaneous self for her problems—that really the trouble lay in her discovery that with the psychic abilities she was destined to find herself outside conventional creative authority: a person who learned that she would have to protect her very integrity as a person against charges of fraud. Publishers don’t put disclaimers on novels or poetry, I said. I added that Seth—and we—must have covered this ground many times over the years; yet now I felt that once again I was “on to something important.”

[... 12 paragraphs ...]

Poetry was not considered fact, of course. It was a kind of concealed knowledge, apparent but not apparent. Later he tried straight novels, but when he let himself go his natural fiction fell into the form of fantasy, outside of the novel’s conventions into science fiction’s form—and at that time further away from the mainstream. He managed to get some of his work published, however, so that as he reached his early 30’s he had some apprenticeship under his belt.

[... 1 paragraph ...]

(9:32.) Again, his natural abilities kept leading him, so it seemed, away from the straight novel framework into the science fiction format, where at that time he discovered that science fiction was not given any particular honor in the literary field. He decided to break away from it. Again he tried some straight novels. At the same time his abilities were examining the world at large, and your own worlds, as they were unfolding.

[... 3 paragraphs ...]

He could have tried to publish the material in camouflaged form through fiction, and he was far more tempted to take such a line than perhaps you realized. Had one of his straight novels been accepted at that time, the story might be different somewhat. He recognized, however, the excellent quality in his own newer writings and in my own work also. He recognized the elements of mystery and creativity involved in the entire affair, and realized that he could not after all camouflage all of that, and so took the course upon which you both embarked.

[... 25 paragraphs ...]

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