“Seth material” search engine (Jane Roberts)

(Long pause at 9:02.) The Sinful Self shows itself in a period of transition from its religious to scientific format in science fiction or fantasy in particular, where you can almost trace the translation of religion’s self, tainted by original sin, to the Darwinian and Freudian concepts of the flawed self, bound to destruction one way or another, propelled by the unbridled unconscious or evolutionary defect.

(Long pause at 9:13.) The use of the Frankenstein monster and so forth in television dramas, and the merging of strong destructive tendencies intermixed with the psychic abilities in current psychic horror stories, shows again the potent mixture of religion’s Sinful Self and science’s flawed self. To some extent, though in a different fashion, both fear the emergence of new knowledge, since new knowledge is apt to upset either framework entirely.

Religion, having in certain terms created the entire concept, had then to create the idea of redemption to rectify it. Ruburt has not been able to utilize the natural grace of the basic self because of those beliefs in their sinful nature. Those feelings were the ones that he experienced this morning—the fear that the self’s very expression was somehow wrong, since the self itself was intrinsically flawed. Your own lovemaking the other evening, and your renewed expressions of affection, helped initiate the entire experience, by letting Ruburt feel safe enough to be aware of and experience those sensations. Of course they reflect upon the body. They seek expression. It is not that they are so fearful in themselves, but the effort to repress them gives them additional charge.