“Seth material” search engine (Jane Roberts)

(Pause.) A musician writing a symphony, however, does not use all of the notes that are available to him. He chooses and discriminates. His discrimination is based upon his knowledge of the information available, however. In the same way, your languages are based upon an inner knowledge of larger available communications. The “secrets” of languages are not to be found, then, in the available sounds, accents, root words or syllables, but in the rhythms between the words; the pauses and hesitations; the flow with which the words are put together, and the unsaid inferences that connect verbal and visual data.

(10:50. Jane had “strange feelings” connected with tonight’s session. She felt somewhat disoriented, yet couldn’t explain very well in just what way. She’d taken many long pauses in delivering the material — a few of which I’ve indicated — but hadn’t been at all concerned about them while in trance. She said that at such times she was “waiting for the material to assemble and translate itself:” Originally it wasn’t verbal at all. Resume at 11:13.)

Now: Ruburt’s sense of strangeness is indeed connected with this evening’s material. He was, however briefly, involved in a process that enabled him to reach beneath verbal or imagery language.

In a manner of speaking he approached other thresholds of perception, and with my help translated those data into the material given. He felt as if he had been on a long journey — and he was, though it was not a conscious one in the terms you recognize. The training that connects your visual and verbal culture prevents full translation, but Ruburt was putting together, with my help, information not usually available. There are gaps in your awareness that are actually filled with data, and Ruburt was letting these pool up, so to speak. He will become more proficient, but for that reason I will now end the session.

Let him rest. he has become aware of distances in his own consciousness, in a fashion difficult to describe. Neurologically he became familiar to some extent with the stuff beneath language, the inner rhythms unexpressed, and felt the odd connections that exist between words and your sense of time. This confused him, for this was material directly felt but verbally inexpressible. He will readjust “in no time.”