1 result for (heading:"698 may 20 1974" AND stemmed:art)

UR1 Section 3: Session 698 May 20, 1974 3/31 (10%) dream lackadaisical semiconstruction world useless
– The "Unknown" Reality: Volume One
– © 2012 Laurel Davies-Butts
– Section 3: The Private Probable Man, The Private Probable Woman, The Species in Probabilities, And Blueprints for Realities
– Session 698: The Dream World, Dream Artists, and the Purpose of Dreaming
– Session 698 May 20, 1974 9:28 P.M. Monday

[... 6 paragraphs ...]

To pursue certain goals, you pretended that they did not exist. Now, however, your global situation as a race requires the new acquisition of some “ancient arts.” These can help you become aware again of those inner idealizations that form your private reality and your mass world. They can permit you to become acquainted with other inward orders of events, and the rich bed of probabilities from which your physical existence emerges.

These arts are useless if they are not practiced — useless in that they lie ever latent, that they are not brought out into the exterior framework of your world. To use these arts requires first of all the knowledge that beneath the world you know is another; that alongside the focus of consciousness with which you are familiar there are other focuses quite as legitimate.

You dream, each of you, but there are few great dream artists. Many of the true purposes of dreams1 have been forgotten, even though those purposes are still being fulfilled. The conscious art of creating, understanding, and using dreams has been largely lost; and the intimate relationship between daily life, world events, and dreams almost completely ignored. The “future” of the species is being worked out in the private and mass dreams of its members, but this also is never considered. The members of some ancient civilizations, including the Egyptians, knew how to be the conscious directors of dream activity, how to delve into various levels of dream reality to the founts of creativity, and they were able to use that source material in their physical world.2

[... 21 paragraphs ...]

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