“Seth material” search engine (Jane Roberts)

(The photograph of me, taken and dated by my father [Robert Sr.], has been kept in one of the Butts family albums for 53 years. In it the time is June 1, 1921. I’m almost 2 years old. I have curly light-colored hair. I wear a one-piece suit, long white stockings, and black shoes. I stand in the side yard of the house my parents rented in Mansfield, a small college town in northeastern Pennsylvania. Perhaps a dozen chicks cluster in the grass at my feet while I stare down at them, quite entranced. In blurred focus behind me an unknown teen-age girl sits on a swing that’s suspended from a tree limb, and an empty wicker stroller-type carriage [mine?] stands beside her. Parked in a driveway in back of her is a four-door touring car with a fabric top. I might add that Mansfield is only 35 miles below Elmira, N.Y., where Jane and I live now.

I am doing two things here — but you can also have the material on any picture separately if you choose to.

Each of you, again, chose your parents and environment. You spoke in your notes (two days ago) of precognition in connection with art — an excellent point. Precognition in those terms also applies at your birth, when ahead of time you are quite aware on unconscious levels of those conditions that you will meet. You have chosen them and projected them ahead of you, out into the medium of time.

(From Seth’s delivery following last break, I’ve deleted less than two short sentences of very personal material. Obviously, Jane and I did choose to meet the challenges presented by the emergence of her psychic abilities 11 years ago. Those “new” abilities offered creative possibilities so apparent that, given our natures, we had little desire to do otherwise; beneath our doubts and questions we intuitively felt the rightness of our decisions. I found that I was able to contribute psychically in certain ways, other than just recording the sessions. And to have at least some of our deepest desires and motivations brought so clearly to conscious awareness, through psychic means or any other way, was more than we’d thought possible in previous years. We found such information especially valuable within the larger social context. With all of this, I was also eager to acquire whatever knowledge was available about both the philosophy and the art of painting.

That child enjoys great feelings of vigor and safety. In your family relationship so far, so good. You were mainly surrounded by love and affirmation. Your parents were young. Your mother had produced two beautiful boys; and she was also a perfectionist in her way, and in her framework — one never understood by your father.

Your own character is in its way more direct, meaning that you maintained a more immediate focus. When that picture was taken, however, your parents were beginning to realize their difficulty. Your first year was one in which your father and mother were filled with expectation. Linden sensed that lack. He was secure, but not as secure as you had been, as the division between your parents was beginning to show.

1. Seth tells us that all actions are initially mental in nature. Very simply, probable realities flow from the multitudinous actions — or events — we may envision, but choose not to actualize physically. But any motion of ours remains quite valid once it’s conceived, and is carried out in all of its variations by probable selves in other realities. There can be communication between at least some of these worlds. Jane has had a modest success in touching upon a few of her probable selves, and plans to write about those experiments and others she hopes to conduct.

In a very simplified summary from Rich Bed: Jane was the only child of Marie Burdo and Delmer Roberts. She was 2 years old when her parents were divorced in 1931. With her daughter, the young Marie then returned to her own parents, and the home that the family had rented for a number of years: half of a double dwelling in a poor neighborhood in Saratoga Springs, N.Y. Marie began experiencing the early stages of rheumatoid arthritis, but worked as much as possible.

9. I described that childhood photograph of myself at the beginning of the session. My parents had three sons. As the oldest, I was born on June 20, 1919; next came Linden, 13 months later; the youngest, Richard, followed me by 9 years. (Both names have been changed.)

The three of us got along well as children, although our natures and interests varied considerably. All of us went through grade school and high school in Sayre, a railroad town in northeastern Pennsylvania: Our father settled his family there in 1923 when he opened an auto-repair and battery shop. The separations in the family began to happen after Linden and I graduated from high school, left Sayre, and started to work our respective ways through college and an art school. Then came long periods of military service for the three of us (World War II for Linden and me). Years passed before I understood how much my parents had been affected by the departure of their children.

Seth has discussed the members of the Butts family at times, including some of their reincarnational aspects. Six months before starting “Unknown” Reality, however, he made a few remarks that I’ve applied ever since to life in our physical reality: “Each person chooses his or her parents, accepting in terms of environment and heredity a bank of characteristics, attitudes, and abilities from which to draw in physical life. There is always a reason, and so each parent will represent to each child an unspeakable symbol, and often the two parents will represent glaring contrasts and different probabilities, so that the child can compare and contrast divergent realities … Your two brothers also chose the family situation. Each parent [both of whom are now deceased] represented opposites to them — but individual ones, and so they saw your parents differently [than you did]. Do not lose contact with them….”