230

1 result for (heading:"310 januari 9 1967" AND stemmed:230)

TES7 Session 310 January 9, 1967 12/101 (12%) Keck Caroline Pomerantz Louis Brooklyn
– The Early Sessions: Book 7 of The Seth Material
– © 2014 Laurel Davies-Butts
– Session 310 January 9, 1967 9 PM Monday

[... 3 paragraphs ...]

(The envelope object for tonight was a card sent to Jane by Caroline Keck, conservator of paintings for the Brooklyn Museum, in 1964. See page 230.

[... 50 paragraphs ...]

(See page 230. The object is a card, blank on the reverse side, written to Jane by Caroline Keck, conservator of the Brooklyn Museum; it was mailed to Jane in early August, along with a copy of the book, Is Your Contemporary Painting More Temporary Than You Think? and a mimeographed list of various addresses furnishing technical help and supplies regarding the conservation of paintings. The list was also compiled by Caroline Keck; the book by Louis Pomerantz.

[... 4 paragraphs ...]

(“Black print or lettering or writing in a right hand corner, extending outward toward the center.” See page 230. Jane said this data is correct, in that it referred to the Brooklyn Museum and Caroline Keck by name on the object, in the upper left corner. To Jane, this reading matter does project toward the center of the object.

(As noted on page 230, this copy is in a rusty red, much the same color as on the cover of Louis Pomerantz’s book. Caroline Keck’s handwriting on the object is in blue; hence no black appears on the object. Perhaps Seth interpreted the blue as black, however, then substituted it in the upper left corner.

(“A rectangular item of paper, perhaps the shape of a postcard and the size.” Again see page 230. The object is a rectangular item, of heavy paper or light card stock. It is also the shape of a postcard, and nearly the same size. Actually a bit smaller.

[... 4 paragraphs ...]

(“Connection with a 1962 date, or 1964, or both.” Seth is correct with both dates. See page 230. The object is dated August l, 1964—Caroline Keck’s mimeographed sheet is also dated 1964. Louis Pomerantz’s book’s copyright is in 1962.

[... 3 paragraphs ...]

(“And a JB.” Later Seth confirms that JB refers to Ruburt or Jane. Good data. The object is addressed to Jane. See page 230.

[... 7 paragraphs ...]

(The object itself also refers to a situation where Jane worked closely with another woman—namely Caroline Keck, when doing conservation work at the gallery in July 1964. See page 230.

[... 1 paragraph ...]

(“Several small letters or numbers, and a stamped card, from a distant place.” See page 230. The object contains small printed letters in the address in the upper left corner. It also contains numbers in the date. It is a card, but is not stamped; instead of being mailed alone it was enclosed in a small package or envelope with Louis Pomerantz’s book and the mimeographed list described earlier; and all addressed to Jane.

[... 6 paragraphs ...]

(“Connection with a man also. With you and another man," Some distortion develops here, but we think this legitimate data. See the copy of the object on page 230. Note that Caroline Keck writes Jane that her son Larry appropriated my drawing for his own use. Jane looked at me when she gave this data, incidentally.

[... 4 paragraphs ...]

(2nd Question: Who does JB refer to? “Here, to Ruburt.” Correct. The object is addressed to Jane. See page 230.

[... 1 paragraph ...]

(4th Question: Who is the other man referred to besides myself? “Something to do with an animal in a tree, that I do not understand.” I had been hoping Seth, or Jane, might come up with Caroline Keck’s husband, Sheldon, or her son Larry, who is named on the object itself. See page 230. Of course I was involved with another man, and this involvement Seth picked up—since my drawing was appropriated by Larry Keck, as noted on the object.

[... 5 paragraphs ...]

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