1 result for (heading:"31 march 2 1964" AND stemmed:creation)

TES1 Session 31 March 2, 1964 12/94 (13%) camouflage creation killing plane entities
– The Early Sessions: Book 1 of The Seth Material
– © 2012 Laurel Davies-Butts
– Session 31 March 2, 1964 Monday 9 PM as Instructed

[... 8 paragraphs ...]

The question has to do with the so-called creation of your universe, the introduction of entities upon it, and of course with the cause or causes behind such creation. You know by now that you create your own camouflage-patterned universe, and I have tried to cover some of the mechanisms involved in this continuous, seemingly automatic creation.

[... 6 paragraphs ...]

You can see now why the problem of creation does not really exist in the terms that you first thought of it. During one session I mentioned that since self-consciousness even exists in all living things, then the question of the exact entrance be specified becomes irrelevant.

[... 2 paragraphs ...]

The fact is that your plane originated because enough entities needed certain types of experience to warrant such a creation, and they set about forming it through the process of evolution. That I believe you understand. The smallest minute first portion represented the will and vitality of all the entities that would ever dwell upon the earth that would come after.

[... 11 paragraphs ...]

In a very simple example, consider that you yourself use your own energy to create your dream world. In this way also you create your so-called real camouflage world, the only difference being that the dream world images do not have duration in physical time although they have duration in psychological time. And believe it or not, actually your individuality has much more freedom in the creation of your dream world, and this is the reason why the dream world does not appear consistent to others.

In the creation of the physical world a certain giving up of individuality is absolutely necessary, since the overall material environment must appear more or less the same to everyone. Of course it will never appear absolutely the same, but it must have a fairly dependable overall coherence.

[... 1 paragraph ...]

(Break at 9:56. This time we seemed to acquire a normal amount of material between breaks. Jane was fairly well dissociated also. She said that somehow the idea that all entities were in existence at the time of the creation of the earth shocked her.

[... 7 paragraphs ...]

The self-conscious self on the other side of the subconscious has a freer hand in the creation of your dreams, since you are the only personality to whom they must be comprehensible. The camouflage world must be dependable, therefore you do not have such individualistic freedom.

[... 2 paragraphs ...]

In the creation of art forms, both self-consciousnesses are allowed with certain reservations to work together. The subconscious channel between them is allowed to open to a great degree. The product of such merging is extremely individualistic, and yet more comprehensible to others than say a fragment from the dream world.

Nevertheless it also partakes of the strange unity that unites all personalities beneath the camouflage pattern, while at the same time it is only partially connected to the camouflage pattern. In some respects art creations are a meeting of the dream world and the world of camouflage patterns, but in a deeper way art creations represent the appearance or materialization in the actual element of physical time of inner realities. That is, the inner individualistic self forces its vision and knowledge into the world of camouflage pattern, giving its dreams a physical reality denied to the usual dream. And here the use of energy for this purpose is conscious, that is the strong hidden self actually makes use of the camouflage conscious self and molds the two into a reality that combines two planes. This I hope will become clear as you read it over.

The act of artistic creation is therefore one to study, since it involves the intricate workings of the dual self-consciousnesses of one personality, inner data being transformed through the subconscious and greater individuality being made possible because of this.

[... 13 paragraphs ...]

Art creations represent such an awareness, but here the creation of another plane must be intertwined with the camouflage pattern with which you are involved. That is, paintings would have no reality in your present stage of development as long as they remained simply in your mind, even to you. You are driven to give them “reality,” and put that word in quotes, through materializing them in terms of camouflage pattern. You do this to the best of your ability, but in order for the painting to have a reality in your world it must be materialized to some degree on the physical plane.

Art creation is a most basic creation then, not even a mimicking act but a genuine creation of another plane, done self-consciously from the perspective of an imprisoning camouflage pattern. Quite an achievement, therefore. It should be simple as an analogy to consider the next point, where the figure in a painting would not only have a certain consciousness for example but would have other freedoms also; and this would give you a limited conception of what is involved in the creation of other planes of more varied scope.

[... 31 paragraphs ...]

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