1 result for (heading:"260 may 18 1966" AND stemmed:nate)

TES6 Session 260 May 18, 1966 8/74 (11%) Goldsmith Nate Saratoga spade visit
– The Early Sessions: Book 6 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 260 May 18, 1966 9 PM Wednesday as Scheduled

[... 44 paragraphs ...]

(I picked up the matchbook in a restaurant, Mother Goldsmith’s in Saratoga Springs, NY. Jane has been familiar with the place since childhood, and on our infrequent visits to Saratoga we always stop in. I dated this particular matchbook on the inside when obtaining it—August 1963, which was before these sessions began in December 1963. The book is printed in black on a dim yellow—as Seth calls it—cardboard stock. All the copy on it, except for Nate Goldsmith’s name beneath the caricature of him, is in this dim yellow against the black background.

[... 2 paragraphs ...]

(The connection between the envelope object and our two visits to Mother Goldsmith’s is strong enough, in that Jane and I ate there both years. We saw the same hostess both times also—a girl Jane went to school with in Saratoga. We did not see Nate Goldsmith or his wife on the first visit, and the reasons we did not see either of them on our second visit are given in our data interpretations.

(“A connection with a spade.” On our second visit, in 1964, Jane and I were told that Nate Goldsmith had died. We do not know just when he died, but believe it was after our first visit. Jane did not know the Goldsmiths intimately, merely to speak to. Also on the 1964 visit we were told the restaurant had been, or was being, sold.

[... 2 paragraphs ...]

(“The impression here of something underground. I do not know whether to interpret this as a burial or not.” Possibly the death of Nate Goldsmith; we learned about this on our second visit. Jane, or Seth, has used the underground idea several times now in connection with death.

[... 7 paragraphs ...]

(“A large round circular shape, perhaps inside of a rectangular one”, can refer to the caricature of Nate Goldsmith on the back of the object. The drawing is made up of rounded lines and shapes, is rounded in overall shape, and fits into the black rectangular frame. We don’t particularly know why Seth uses large here, unless he means that the drawing could not be much larger and still fit into the rectangular shape.

(“and crisscross lines in the shape of a cross.” Jane said this data goes with the earlier underground and spade data, and is a symbolic reference to the death of Nate Goldsmith. Seth has used the cross idea before in indicating things ended, etc.

[... 2 paragraphs ...]

(Possibly the yellow data also grew out of the gold in Nate Goldsmith’s name, which appears on the back of the object, as well as Mother Goldsmith’s name appearing on the front.

[... 1 paragraph ...]

(“Perhaps a J and a G.” I asked Seth for initials of the people at the meeting. The J can refer to Jane, but not the G. The initial G of course shows up on the object itself, twice, in Nate Goldsmith and Mother Goldsmith’s.

[... 7 paragraphs ...]

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