1 result for (heading:"237 march 2 1966" AND stemmed:handprint)

TES5 Session 237 March 2, 1966 6/94 (6%) print handprint Myhalyk ink steeple
– The Early Sessions: Book 5 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 237 March 2, 1966 9 PM Wednesday as Scheduled

[... 67 paragraphs ...]

(“Five.” My handprint of course shows five fingers.

[... 4 paragraphs ...]

(“A connection with many people, and with something like a basement—low, that is. This leads Ruburt to think of your Myhalyk’s, his impression.” Jane believes her impression here is correct. Myhalyk’s is our favorite dancing establishment in Elmira. On Saturday, February 19, Jane and I met Marilyn and Don Wilbur and some others at Myhalyk’s for an evening of dancing. This was shortly after we had obtained the book on hands, and during the evening Jane asked the Wilburs if they would cooperate in having handprints made. The Wilburs, who have witnessed several unscheduled sessions, consented. Arrangements were made to obtain their prints on Friday, February 25, but were not carried out because of the difficulty in getting good prints. My print, made on February 27, was an experiment in an effort to learn just how to make a good print.

[... 1 paragraph ...]

(“I pick up five again”, If this is not a reference to the handprint, we do not see the connection, unless it is tied in with the next data.

[... 1 paragraph ...]

(“And with walls, and an interior.” Although this is too general Jane thinks it is another reference to the aforementioned evening at Myhalyk’s, where references to handprints were made.

(“A violet. Red, and a grading to yellow.” This is very interesting to me personally; Jane also recalls these details. After spending a couple of hours trying to make a good handprint, I gave up and began cleaning the ink from my hand. This proved to be a job. As I applied scouring powder I was surprised to see the black ink on the palm turn what might be termed a red with violet undertones. This effect at once reminded me of reading that the quality of a black ink can be judged by its behavior when diluted: If a red color develops it means the ink is of inferior quality. The ink I had used was stamp-pad ink purchased at a 5-and-10 downtown.

[... 2 paragraphs ...]

(“Plus white, and very dark.” I made the handprint on white paper identical with this page, and the print itself is very dark.

[... 12 paragraphs ...]

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