1 result for (heading:"19 januari 27 1964" AND stemmed:camouflag)

TES1 Session 19 January 27, 1964 29/79 (37%) camouflage fuel instruments plane brain
– The Early Sessions: Book 1 of The Seth Material
– © 2012 Laurel Davies-Butts
– Session 19 January 27, 1964 9 PM Monday as Instructed

[... 19 paragraphs ...]

Mental enzymes are the transformers, and as I have said they are extremely important. I have spoken of the inner and outer senses to make our discussion easier. However you must know by now that there is no actual distinction between inner and outer. The apparent outer senses are merely concerned with the particular camouflage of a particular plane. The inner senses are concerned with vitalities beneath the camouflage. These inner senses, if I may use an analogy again, are like hidden underground trains that carry important fuel from one country to another.

[... 1 paragraph ...]

I will go into this more deeply also. I am merely presenting a brief outline of the direction in which this material will go in the future. If you will ignore the apparent distinction between inner and outer senses you will get along at a faster rate. Even though they are not different things I must speak of them differently because they appear so on your plane. This is caused of course by the typical camouflage distortion effect, which occurs on almost every plane to some extent.

(Jane later said that this phrase, camouflage distortion effect, was to be a very important one.)

The tree bark for example is not really divided from the rest of the tree, yet I must speak as if it were so divided because this is one of the apparent effects that you see, and I could not ignore what you insist was the evidence of your senses. The evidence of your senses is usually camouflage. Let that one sink in.

The inner senses deal with what actually is. The inner senses are the carriers of our fuel, that is, they can be likened to the various cars of our imaginary train. It takes some doing to be aware of this fuel, since it is so instantly transformed by the outer senses into the stuff of camouflage. The process involved is subconscious. You can hardly catch yourself at it, and yet with training you will be able to catch yourself in the act.

[... 2 paragraphs ...]

You cannot see a handful of air though your hands may be full of it. You know its effects, you breathe it constantly, but consciously you do not realize what you are doing. You do not know how air tastes unless you really think hard about it. It is fuel to your physical body and the idea of it comes very close to this fuel of the inner senses, which is not a camouflage effect and which is our vitality unsolidified, or the little wires which make up our imaginary universe. In other words these little wires move along constantly like little individual railway cars carrying fuel, and also are composed of the very fuel themselves.

[... 2 paragraphs ...]

Using air again as a simple analogy to our fuel for the inner senses, which is converted by the various countries or planes for their own purposes and therefore camouflaged, air in its pure state is not observed easily. And permeating everything, it could almost pass unnoticed itself since it takes on the form of that which it composes.

Surely you see where that leads us. If you will forgive me, my dear Joseph, you are full of air. I won’t say hot air. But you look like a man. The man form, the physical form, is a camouflage that you see. You do not see the air of which you are composed when you look into a mirror. You are also composed of much water, yet you do not see a wet spongy mess when you look into the glass, at least I hope not. You see the camouflage or the physical form.

I have added here the addition of water to air, yet they are composed of the same elements. The elements are the blocks which build our camouflage. Air and water have many forms even on your plane. The elements change position constantly to transform the inner vitality or fuel from one camouflage pattern to another. Then why is it so difficult to understand that this happens on other planes and under different camouflage sequences?

Your scientists are correct in supposing that the universe is composed of the same elements that can be found on your plane. However, what they know as elements are of course particular camouflage patterns that may show themselves in a completely different form somewhere else.

Our last session was a very long one. I will not keep you that long this evening. However I do suggest that you play around with your own camouflage patterns for a few moments, and then I will continue. And Ruburt, if you can find anything personal in camouflage patterns then I am done for.

[... 1 paragraph ...]

Again, your elements, those that you know and those that you will discover, and the elements you will create, are only camouflages of the basic stuff or vitality, which you will not discover with your outer senses. Your scientists will discover that their tools are no longer adequate. Because man has such a sense of curiosity the scientists on your plane will be forced finally to use their own inner senses. Otherwise they will be dealing with camouflage only, and find themselves in a blind alley. Not because their eyes are closed, but because they are not using the right set of eyes. You will come no closer to knowledge of the fifth dimension until you use the inner senses as tools of perception.

The basic rules of the universe as I have said appear differently on different planes. The camouflage is necessary at this stage of development, intricate, complicated, various and beyond understanding of the outer senses which are the perceptors of camouflage itself, peculiarly adapted to see under particular circumstances. You cannot use camouflage to see through camouflage. There are basis rules in the universe. The inner senses use these rules consistently and well.

It is only the inner senses which will give you any evidence at all of the basic nature of life itself. Since very often the vitality or stuff of the universe seems as innocuous as air might seem to you, then look for what you do not see. Explore places that appear empty, for they are full. Look between events. What you see clearly with your outer senses is camouflage. I am not suggesting that you take everything on faith, nothing of the sort. I am saying that what seems vacant lacks camouflage, and therefore if this is explored it will yield evidence. I hope I have not carried you too far too fast.

[... 1 paragraph ...]

Granted, your camouflage is in itself an effect. If you look at the observable physical world in this life, you can, it is true, learn something about the basic rules of the universe, if you take into consideration camouflage distortion. There is so much to be said here, and you have so much to learn that sometimes I have to admit that I’m appalled.

[... 1 paragraph ...]

Your own experience with creativity should serve you well as far as this discussion goes. When you paint a picture, my dear egotistical Joseph, you are dealing with a transformation of energy and a transformation of camouflage pattern. There is a moment, a brief but vital moment in such an act of creation, when you are dealing with the underlying vitality of which I have spoken. You are forced because of your earthly physical situation to transform this creative energy into another camouflage pattern. There is nothing else you can do. But for this moment you pluck this vitality from the inner senses, you grab ahold of this fuel with both hands. You have it. You transform it into a somewhat different more evocative new camouflage pattern that is nevertheless more fluent, more fluid, than the usual pattern, and which gives greater freedom and mobility to the basic fuel or vitality itself. You approach a transmigration of planes.

A certain distortion must be expected, in the same manner that a distortion occurs in the form of your flying saucers. The painting in other words achieves a certain freedom from camouflage, while it cannot escape it, and actually hovers between planes in a way that no thoroughly camouflaged object could do. That is, something that exists completely in your plane cannot be evocative in the manner that a painting or, and this is for Ruburt, a poem can be.

Music, or rather a musical composition also achieves this state. Sculpture does not, for reasons that I will go into at a later time. The camouflage here however in the matter of a statue is too much like a prison. I am going to suggest a break. You may fly in as many pieces as you like at once.

[... 1 paragraph ...]

Your scientists can count their elements. While they are on the wrong track they will discover more and more elements. That is, they will create more and discover more until they are ready to go out of their minds. Because what will happen is, they will always create camouflages of the real thing. And while they create instruments to deal with smaller and smaller particular particles, they will actually see smaller and smaller particles, seemingly without end.

As their instruments reach further into the universe they will “see,” and I suggest that you put the word see into quotes, they will “see” further and further but they will automatically subconsciously transform what they apparently see into the camouflage pattern with which they are familiar.

They will be and they are prisoners of their own tools. More galaxies will seemingly be discovered, more mysterious radio stars will be perceived, until the scientists realize that something is desperately wrong. Instruments designed to measure the vibrations with which scientists are familiar will be designed and redesigned. All sorts, finally, of seemingly impossible phenomena will be discovered with these instruments. The instruments will be designed to catch certain camouflages and since they are expertly thought out they will perform their function.

[... 6 paragraphs ...]

Einstein used the miraculous aspects of his mind. Parts of the mind are almost completely undistorted. The mind is distributed throughout the whole physical body. The mind builds up about it the physical camouflages necessary for existence on your physical plane. The mind receives data from the inner senses and forms the camouflage necessary. The mind unconsciously or unself-consciously deals with the basic laws according to the camouflage effect that is vital for survival on your physical plane. The mind is the tool which must be used.

The brain deals exclusively with camouflage patterns, transforming vitality into physical environmental camouflage patterns. The mind deals with basic principles inherent on all planes. The brain is itself part of the camouflage pattern, and can be interpreted and probed by physical instruments. The mind cannot be probed by physical instruments. It cannot even be found by physical instruments. The mind is the connective. It is here that the secrets of the universe will be discovered, and the mind itself is the tool of discovery.

The brain is of your plane. You may say that the brain is the mind in camouflage. Imagination belongs to the mind. It can be used by and is used by the brain for purposes of survival, and can sometimes be probed by physical instruments. That is physical instruments can be made to make the imagination move on occasion. But imagination is a property of mind, not brain, and no physical tool can force the imagination to conceive of an original conception or idea.

[... 4 paragraphs ...]

Mental enzymes transform vitality into the particular camouflage patterns. Mental enzymes as I have said have a chemical reaction on your planet. This explains the reason why a chemical imbalance in a physical body will also show itself as a corresponding distortion of sensual data. That is, when the chemical balance is disturbed the physical world will appear to have changed.

For the individual concerned in such a case, the camouflage actually has changed. If you are willing to continue the session for a short time I again suggest a short break.

[... 1 paragraph ...]

The subconscious is a property of the mind, and is to a strong degree independent of camouflage. You must of course understand that these terms are for convenience only. In many cases there is no division between them, and I speak often for convenience’s sake.

Part of the subconscious for example deals with camouflage, but the deeper portions are in direct contact with the basic vitality of the universe. When you or Ruburt wonder if this material comes from the subconscious, you often take it for granted that the subconscious is personal, exclusively dealing with matters of your egos’ personal past. You are sometimes willing to concede that perhaps an element of racial memory might enter in. Racial memory is of course a conglomeration of camouflage data. The subconscious also contains the undistorted material of the mind, which is uncamouflaged, and which operates between planes, knowing no boundaries.

[... 2 paragraphs ...]

I will go into this sort of development at a later time. The mind however determines which mental enzymes will be utilized and to what degree, and also determines the strength, type, and validity of camouflages necessary to physical survival.

[... 8 paragraphs ...]

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